As an entire style, digital music is likely one of the most versatile and open. Artists manipulate sounds and samples in wonderful methods and there are a number of artists within the style. I first heard Witcha with UNCONTROLLABLE and a yr later, their first full size.
Lavender incorporates a few of Witcha’s previous singles like “Uncontrollable” that includes BEKIMACHINE. Taking within the album as an entire, Lavender is sort of a cyberpunk and 80s retro journey. It sounds nostalgic and neo-futuristic like an anime combined with science fiction. “Hallucinogen” begins with a pulsing bass and percussion intro that appears like a DOOM soundtrack. It amps up and will get your power transferring rapidly.
I like “Uncontrollable” loads. BEKIMACHINE’s vocals add a brand new layer to Witcha’s composition. It’s easy in presentation however has a hook that doesn’t let go. And with 11 wongs, Witcha has a number of house to mess around. The total size is 34 minutes, sufficient time to make an affect however not get repetitive.
That’s the largest energy. Witcha isn’t copy-pasting concepts repeatedly. Whereas they’ve their soundscape, new concepts and interpretations are occurring on a regular basis. If you happen to’re an 80s child, you might need heard a few of these sounds and results on the skating rink. Or in different media that confirmed a futurescape.
Each track on Lavender appears like a chapter in a narrative. Or a few of the finest driving music attainable. There’s a particular move that Witcha is delivering on the album. And whereas every track can stand alone, they gas your complete journey collectively. I’ll say that the songs with vocals like “DKT” and “Weak” are probably the most attention-grabbing.
For a primary full size, Witcha’s Lavender is a powerful set of songs. I feel Witcha may discover this particular soundscape extra, however I additionally suppose they may open up for extra experimentation too.
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Chris P
Korean Indie proprietor and Editor at Massive. Continually searching for new music and dealing on library parity on Spotify and YouTube Music.
